
My first album, I was just out of high school, so I was writing about skater boys. I do write about love a lot, but now the difference is, I'm writing from the perspective of a woman. Because I had so much time in the pandemic to songwrite, I was looking back at my whole life, and love, the ups and downs, and the things I've gone through - the stuff I've seen, and the lessons I've learned - and put it into my music. Lyrically, I had just gotten out of a relationship, and I was reflecting on that. How did that play into the direction you took lyrically? Every album you go in kind of feeling a certain type of way stylistically, sonically, production-wise - this is just where I felt like, in my life, I wanna have fun, I wanna rock out. I'm doing it because I truly want to and I just want to have so much fun. This far into my career, it's like, I don't have to be doing this. Everyone was always trying to tell me to dial it back. Production-wise, it's the most alternative. No holding back here."īesides the creative freedom you had on it, what makes this album feel different? I had my freedom…I didn't have a label or managers at the time, and I just went in the studio like, "Alright, time to rock all the way through. This album is also a record I've wanted to make for a long time. Even though some of my albums have pivoted a bit, all my concerts carry this spirit and energy in them. Before I started writing my own record, I was gravitating towards guitar-driven music. This is the kind of music that I fell in love with when I was old enough to buy my own tapes and CDs, in like, grade nine, and discovering bands like Offspring, Goo Goo Dolls, Green Day. I have a silly personality, so even though I'm talking about how love sucks - and I really, truly was feeling that way, burnt out and jaded on love, when I started this album - it's very lighthearted and there's a sense of humor in the songs. I just wanted to have fun, have a good time, and make an upbeat record.
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Pop-punk has always been part of who you are as an artist, but how did you get back into that mindset and vibe after making 2019’s Head Above Water, which pivoted away from that style?īecause Head Above Water was so full of ballads and emotional and just like, deep, I felt like I was definitely ready to f***ing rock. But that didn't alter the "Bite Me" singer's scorned attitude on Love Sux, and it resulted in what she refers to as " a love letter to women."Īhead of the LP's release, caught up with Lavigne to discuss the gratifying process of Love Sux, how it's a culmination of her career, and why - even despite her current relationship status - she stands by the album's jaded sentiment.
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Only this time, she's older, wiser and, ironically, in love.ĭuring the album's creation, Lavigne began dating fellow pop-punker MOD SUN, one of her main collaborators on the project. It's a continuation of the relentless spirit Lavigne has displayed since her GRAMMY-nominated debut, Let Go, which turns 20 this June. From the first rips of electric guitar on opener "Cannonball" to the declarative final line on album closer "Break of a Heartache," Lavigne takes a refreshing approach on a breakup album, employing both a sense of humor and a wave of confidence. Love Sux, the seventh studio album from the Canadian pop-punk veteran, is an amped-up rock fest of catharsis.



Now, she's delivering a full soundtrack for it. If you've ever been so beaten down by love that you just want to give up, Avril Lavigne knows what you're going through.
